Usability research and analysis
Five Sketches™ Consulting helps your development team with user-experience research and design to meet your business goals and your customers' needs
Questions that stakeholders, project managers, and product owners have in common:
Both questions could be answered by using the same method: a burn-down chart. But the second question requires adding certain user research findings to the chart.
Continue reading “Predict your “usable release” date by integrating user research”
If you’ve worked in software development for a while, you may have noticed that work on usability gets postponed more often than work on new features and functions. You could see this as a form of tech debt. It accumulates with every release.
What contributes to this accumulation?
It’s not an either/or proposition. With every release you can give your product a bit more usability. And you can do this at a low-to-moderate cost and low-to-moderate risk.
Continue reading “Poor usability is a form of tech debt”Divergent thinking—thinking in an unusual and unstereotyped way—*is what’s needed in software design. Divergent thinking isn’t the same thing as creativity—it’s an essential part of creativity. It is the ability to see:
User-experience designers engage in divergent thinking when they explore multiple ideas and try to “saturate the problem space.” But your entire development team can benefit from this—and save your project months of rework.
Designing is usually a rewarding activity, but the path from start to finish can be filled with frustration and even panic. I’ve seen design processes work—and come to the realisation that “My own designs benefited from rapid iteration!”
These humbling experiences helped me learn to trust the process, even in the face of frustration or panic. It’s these experiences that give me the courage to follow the design process, even when it isn’t clear how to resolve the tension between conflicting design constraints.
In the face of an unknown, individuals and especially teams tend to turn to knowns. If needed, they’ll manufacture the known data, by deferring the choice to users. Here’s part of what Larry Constantin wrote about courage in software design, in a paper that advocates for user involvement at the right time:
Most damning and least recognized among the limitations of user-centered design is the way it subtly discourages courage. Courage is one of the central tenets of extreme programming and agile development methods. […] User-centered design makes it too easy for designers to abdicate responsibility in deference to user preference, user opinion, and user bias. In truth, it is hard to stick with something you know works when users are screwing up their faces at it. What if you are wrong? What if you are not as good a designer as you thought you were? It takes real courage and conviction to stand up for an innovative design in the face of users who complain that it is not what they expected or who want it to work just like some other software or who object to certain sorts of features as a matter of course. It takes responsible judgment to know when to listen to users and when to ignore them.
In the many design sessions I have facilitated, three times I’ve seen that lack of courage expressed by a participant. Each time, it sounded like a mix of panic and frustration:
The solution has been on the wall since the first round!
The design sessions I facilitate ask participants to saturate the design space with lots of ideas. They each bring five sketches—five substantially different ideas—and then, after sharing their ideas with the other participants, they rapidly iterate the first 15 or 20 sketches to develop even more. All this takes place before any analysis.
When the goal is to saturate the design space—to identify as many solutions as possible in a short time—there’s more to influence the design once the analysis begins. Inevitably, the design that the team decides on was not already on the wall. Motivated design participants quickly learn this, and—in most cases—become advocates of the process.
For most development teams, the Five Sketches™ process I introduce is a departure from the status quo, so it takes courage for their team members to take a stand, to say “I will use this process” for design problems that need it.
If you’re creating user personas, How-To articles often tell you that you only need two or three personas at most. That’s fine for most web-design projects. However, if you are working on an enterprise-wide system that has modules for different types of professionals who each perform distinct and substantial tasks, then you will have a larger number of user profiles.
Imagine a product suite the size of Microsoft® Office that actually consists of very different pieces: Excel, Word, Access, PowerPoint, and more. Usually, the only persona who is involved with every module of a suite is someone like Ivan the IT administrator, whose tasks are very different from most users.
That may sound obvious, but I really struggled for a while with the notion that I was “doing it wrong” because I couldn’t squeeze the user roles and needs into a mere three user personas—or five, or seven, for that matter. When you have a dozen user personas, it’s challenging to keep them all apart, but most teams only need a few at a time. Likely, the only people who need to know all the user personas are on the user-experience and product-management teams. And the alternative—to have a catch-all user persona whose role is to “use the software”—is of no help at all.
If, by chance, you find you need many user personas, then beware once the projects wrap up and the teams turn to their next projects. They may have incorrectly learned to begin a project by creating user personas (“…well, that’s what we did last time…!”) instead of re-using and tweaking the existing user personas. [Not everyone agrees with re-use; see the comments.]
User personas will influence your product design and affect how people throughout Development and Marketing think, strategically and tactically, about their work. So you need to get the user personas right. Getting a series of user personas reviewed—not rubber-stamped but mindfully critiqued—is a challenge; nobody ever makes time to do it well. Here’s my solution: after you research users and then write your draft user personas, review them together with some subject-matter experts, Marketing staff, and developers, in a barn-raising exercise. Pack them all into one afternoon for the initial review. Then meet the first Friday of the month until you have agreement about each user persona. During one such meeting, one of my subject-matter experts said to another: “Oh, this user persona is just like [a customer named H—]!” The user persona was so on-target that that it reminded her of someone I had never met or researched. That was a nice way to learn that I got it right.
For detailed How-To advice on developing user personas, try these readings:
For a Five Sketches™ design session, I ask design participants to bring at least five substantially different ideas to the table, in the form of sketches. A common initial reaction is: “…But I can’t sketch!”
Many design participants believe they cannot draw. To be honest, I believe that about myself. People who feel they cannot draw tend to extend that belief to encompass design sketching, as well. However, I have learned to distinguish between drawing (below, left) and sketching a software design (below, right).
Software design does not require drawing, only sketching. From experience, I can tell you that sketching is easy once you realise that the goal is to produce only rough and low-fidelity ideas, not decorative and high-fidelity pictures.
Occasionally, I encounter a design participant who has trouble with sketching. I once had a participant who was so self-conscious of her sketching ability that she was paralyzed during the rapid iteration phase, when the design participants are quickly mashing up the sketches with borrowed and new ideas to produce additional sketches. I noticed that this participant was always busy—talking or wiping the board or replacing the snacks—but never sketching. This avoidance, and the underlying mental block, was an impediment to the whole team. Like all generative design processes, Five Sketches™ relies on its participants to saturate the design space with ideas. If a participant isn’t participating, it increases the project risk.
To pre-empt this mental block and to reduce the project risk, during Five Sketches™ training, I now introduce a quick speed-sketching exercise. Speed sketching is a race against the clock. With pen and paper ready, before each round, I give the participants five seconds to think, and then:
10 seconds to sketch a cell phone.After each sketch, the participants look at the other sketches. I ask them to identify the details that make the sketched object recognisable. There isn’t time to draw a high-fidelity rendering, so the sketches are rough and have few details.
Interestingly, with few details the sketched objects are still clearly recognisable. Participants learn that detail and fidelity aren’t needed. By the last round of sketches—the “2 seconds to sketch a house” round—participants have seen that everyone’s ability to produce sketches is about equal, and they usually conclude: “I sketch well enough for others to grasp my ideas.” Generative design requires lots of ideas—disposable ideas—not fancy drawings.
Jason Santa Maria says a similar thing in his Pretty Sketchy blog post, in which he declares that sketching is not about being a good artist; sketching is about being a good thinker.
Three-quarters of the way through a Five Sketches™ session, to help iterate and reduce the number of possible design solutions, the team turns to analysis. This includes a usability analysis.
After informing and defining the problem without judgement and generating and sketching lots of ideas without judgment , it’s often a relief for the team to start analysing and judging the potential solutions by taking into account the project’s business goals, development goals, and usability goals).
But what are the usability goals? How can a team quickly assess whether potential designs meet those usability goals? One easy answer is to provide the team with an project-appropriate checklist.
Make your own checklist. You can make your own or find one on the Internet. To make your own, start with a textbook that you’ve found helpful and inspiring. For me, that’s About Face by Alan Cooper. To this, I add things that my experience tells me will help the team—my “favourites” or my pet peeves. In this last category I might consult the Ribbon section of the Vista UX Guide, the User Interface section of the iPhone human-interface guidelines, and so on.
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When you’re tempted to cut corners off your product, what do you cut?
Is it the usability?
Today, I watched a video of people helping a motorised cardboard construction or “robot” to navigate. The so-called tweenbot has a flag on it that says “Help me,” and that asks people to send it on its way to its outdoor destination.
And people help it, time and again, get to where it “needs” to go.
On your next project, when you’re looking for corners to cut, I’d like you to imagine your future users wearing a sign that says “Help me.” Will that encourage you to help them?
The tweenbot pictured above is from Kacie Kinzer’s Tweenbots site, which creates a narrative about “our relationship to space and our willingness to interact with what we find in it.”
It takes a range of skills to develop a product. Each skill—embodied in the individuals who apply that skill—brings with it a different focus:
What brings all these together is design.
Proper design begins with information: a problem statement or brief, information about the targeted users and the context of use, the broad-brush business constraints, 
some measurable outcomes (requirements, metrics, or goals), access to a subject-matter expert to answer questions about the domain and perhaps to present a competitor analysis.
Design continues by saturating the design space with ideas and, after the space is filled, analysing and iterating the ideas into possible solutions. The design process will raise questions, such as:
The analysis will trigger multiple rapid iterations of the possible solutions, as the possible solutions are worked toward a single design:
It’s risky to expect one person—a developer, for example—to bring all these skills and answers to the table. A team—properly facilitated and using an appropriate process—can reduce the risk and reliably produce great designs.
Fresh advice, still:
“Usability goals are business goals. Web sites that are hard to use frustrate customers, forfeit revenue, and erode brands.
Executives can apply a disciplined approach to improve all aspects of ease-of-use. Start with usability reviews to assess specific flaws and understand their causes. Then fix the right problems through action-driven design practices. Finally, maintain usability with changes in business processes.”
—McCarthy & Souza, Forrester Research, September 1998